“Know that joy is rarer, more difficult, and more beautiful than sadness. Once you make this all-important discovery, you must embrace joy as a moral obligation.” ~ André Gide
With thanks to Fran, who sent it!
“Know that joy is rarer, more difficult, and more beautiful than sadness. Once you make this all-important discovery, you must embrace joy as a moral obligation.” ~ André Gide
With thanks to Fran, who sent it!
Kind and most Patient Friends,
Reports of my demise have been at least modestly exaggerated. Here’s a scan of the Sunrise Horseman from Vasilisa the Beautiful (my increasingly tattered dummy thereof) just to let you know I’m still kicking. More anon, but for now:
"I shut my eyes in order to see."
~ Paul Gauguin, 1848 - 1903
Thinking in the night that there is a grace in words and in living forms, and in art that listens and music that sings, that is the same, same grace.
Friends,
I'm plotting a migration to SquareSpace, a host with much, very much, to offer those of us who desire design omnipotence without CSS knowledge. My migration will be slow, very slow; this blog will stay right here for months yet, and may remain evermore as a permanent archive. Rest assured, I'll make much ado before moving.
But for the moment, I've set up several galleries over there where it'll be much easier to find things, I believe. Let me know what you think:
(Click here to visit My Square Galleries, and see long lost Stuff)
My best to you, most kind and patient Guests,
Forest
(who, to paraphrase Mr. Baggins, feels like butter scraped over too much bread at the moment, but who will attain tub-of-margarine status sometime soon and become more responsive)
Lou Rogers, working at the Rudolph N. Rohn liturgical arts company in Pittsburgh, PA, in the early 1980's.
And on the Mountain, over Boulder, CO, at 20 years old. She saw the Mountains both as entities in themselves and as populated with numinous beings, which manifested in her paintings and writings.
Some of you are fabulous at recognizing the species, so I leave the label up to you!
Friends,
No pictures quite yet, but speaking of the macabre, I’ll taunt you with a snippet from my hobby-novel, with which I play on occasion. Being that my ‘work’ is visual, I find writing a fine flight into play. My ‘book,’ which may well never advance beyond scraps & bits, is a... what to call it: a grotesque, perhaps, concerning a deranged liturgical artist, a woman who’s lost half her face to fire, and a mighty strange sanatorium with it’s own chapel. The deranged artist, Philip Waithe, is painting murals in the chapel, which have to do with my Fiendish Plot. It’s set around 1900.
I toy with this dubious opus in first person; a journal for each main character. While I don’t consider myself quite as deranged, and certainly not as homicidal, as the artist depicted, it does give a place to ‘use’ my own creative processes and curious adventures.
From Deranged Philip’s journal, which he scratches on the scaffold in the Deranged Chapel, as he lies on a narrow scaffold board in the dome:
...
Philip Waithe, date unknown:
“I have lain seven hours with Lazarus, and still I cannot see his face. I have caressed the winding cloth with ocher and sienna, touched the feet with a merest sliver of vermilion, yet the head where the spirit must look out remains blind.
It cannot be forced.
I look away. I shift on my narrow bed, and am held in an arc of scarlet tipped quills and gold. I spread my arms into nothing, feel the fever bleed out, feel my breath settle, still. I say, Beloved, make me transparent. I wait, I lose thought, quiet my spirit to a flawless water. I see. I see reflected there the Descent into Hell.
I have drawn it on the East wall.”
...
More pictures anon, kind and patient Visitors!
For the moment, just a note on an unsettling dream -- I do love dreams in their deep strangeness, however unpleasant...
I slept last night after brooding over various and irreparable blunders, and dreamt that I was arriving late and in the night at a hotel room in some distant city. It was a dim and ordinary room. As I approached the bed, I saw its covers were mussed, though it appeared empty. Then I perceived a dreadful thing protruding from under the blanket: it was a strange naked foot on a bone-thin leg, human-seeming yet somehow wrong. It took a moment of loathsome staring to see that in place of toes, the foot possessed human fingers, long and curled, and somewhere, I think, a thumb.
There was no place for the rest of a body in those deflated bed clothes.
(One of a ring of twelve Angels I painted for the Holy Resurrection Russian Orthodox Cathedral in Wilkes-Barre, PA. Wingspan: 14 feet, hight: 9 feet)
And in need of hair-gel and better rags:


Not quite dressed yet...
At the tail end of St. Patrick's Day.
A delightful book called Birds with Human Souls, A Guide to Bird Symbolism (Beryl Rowland, 1978) was given me by a dear friend (Cindy! You!). Amongst many a wonder, it tells of ancient Athenian coins on which “a chubby, smiling goddess with a plain helmet appeared with a well-groomed, self-confident owl.”
It mentions the great flock of owl coins produced from the Laureotic silver mines, and quotes the most charming depiction of financial prosperity I’ve ever read:
Little Laureotic owlets
Shall be always flocking in:
You shall find them all about you,
As the dainty brood increases,
Building nests within your purses;
Hatching little silver pieces.
~ Aristophanes, The Birds, c. 414 BC
May many dear little owlets roost with us all during the coming year...
(Click on image to visit Okhla Bird Park preservation petition)
'What are humans without the beasts? If all the beasts were gone, men would die from great
loneliness of spirit, for whatever happens to the beast also happens to man. All things are
connected. Whatever befalls the earth befalls the sons and daughters of the earth.'
~ Chief Seattle, letter to President Franklin Pierce, 1855

Purple Sunbird (click on the image to visit the preservation Petition)
Kind Friends,
These photographs were taken by photographer Anand Arya at the Okhla Bird Park & Wild Life Sanctuary in India.
This Sanctuary, home to almost 400 species and some 25,000 plus birds at peak migration, is now threatened by adjacent construction. Anand Arya and a colleague have filed a petition with the Hon’ble Supreme Court of India, New Delhi, to preserve the sanctuary.
They need the support of all who care.
This is a particularly well thought out, intelligently composed and informative petition.
The numbers are modest so far, friends; I believe we might actually make a difference in the preservation of this place, glorious and fragile. I would urge -- nay, beg -- everyone to take a moment and sign Anand's petition at:
Protect Okhla Bird Sanctuary
Damage to a place such as this is a tragedy indeed.
Greater Flamingos (click on the image to visit Anand Arya's own website)
You know how over-zealous sales ladies are apt to burst in on one in those fitting rooms...

One cannot have too many. I'll get a better shot of them later, but for the moment:

That's Vasilisa underway you see in the background. More of her soon...
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